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Interior Design

Although I studied with Minor White in an experimental graduate program in photography at the Massachusetts Institute of Technology and admired his iconic photographic abstractions, for most of my career my chief interest has been in portraiture as a personal documentary and street photographer.


I never felt personally connected to abstraction until I happened to attend a golf equipment trade show and saw a bisected golf ball. For the first time, abstraction resonated with me as I discovered elegant formal qualities and surprising metaphorical possibilities in the unlikeliest of places, a 1.68” golf ball. Thirty-five years after first viewing the abstractions of photographers White and Aaron Siskind and the paintings of Helen Frankenthaler and Joan Mitchell, I learned to appreciate and embrace abstraction in my own work. For some viewers, my photographs from this series, titled Interior Design, allude to celestial bodies and the sublime. For me, their serendipitous structural exquisiteness and their subtle and passionate arrays of colors have inspired new exploration in my photography; I am particularly delighted to see the diminutive golf balls transformed into 36” x 36” prints.


Incidentally, I do not play golf.



Signed, archival pigment prints from interior Design are available for purchase. Contact with inquiries about purchases, gallery representation, printed-on-paper and online publication and museum and gallery exhibition initiatives