Selected Work in Print
Memory Effects: The Holocaust and the Art of Secondary Witnessing
By Dora Apel
"Friedman’s ’12 Nazi Concentration Camps’ is arguably the most significant body of photographic work on the concentration camps in the post-Holocaust era and constitutes an important challenge to the largely sacralized and romanticized work of other photographers on this topic. His exploration of the elegiac impulse of second and third generations to return to the sites of the catastrophe offers an uncompromising and original strategy for the memory work of later generations.”
Love and Desire
By William A. Ewing
Light and Lens: Photography in the Digital Age
By Robert Hirsch
Landscapes and Mindscapes: An Exhibition of Contemporary American Photography
American Cultural Center, Brussels, Belgium
Poland 1983: AUSCHWITZ MAJDANEK TREBLINKA
Exhibition materials from the Bertha Urdang Gallery, New York, New York

Sports Illustrated: The Golf Book
Forward by Roy Blount Jr.